I think of picture books as art books for all ages, including children. I never outgrew them. I cherished them as a very young reader, but began collecting them in my twenties. Of all the art created today, I am drawn to picture books. I have never resonated to ‘art for art’s sake,’ and paintings that have a story to attach to hit the spot.
When you are writing a manuscript, what area of the story do you get the most satisfaction in developing and exploring?
For me it is almost always the underlying theme. The theme is what hounds me, and when a plot or a story arc makes its way to me, I think of it as having just gotten the anchor for the theme.
For me it is almost always the underlying theme. The theme is what hounds me, and when a plot or a story arc makes its way to me, I think of it as having just gotten the anchor for the theme.
Aside from theme, do you find the most frustrating or difficult to develop?
The middle. The beginning comes to me almost in a dream state, and from the beginning I can hear the echo of the end. But the middle, or the ‘many middles…’ Now that is really challenging. I find myself relying more on perspiration, the tried and true formula, when I am moving through the middle of the story. The beginning & end are pure inspiration.
Mirka, if you could choose one pb author, author/illustrator, or illustrator that inspires you, who would you spend a day with?
I think if I have to pick just one it would be Ruth Krauss. Although she had the benefit of collaboration with a spouse who was an illustrator, she was an ‘author only” master of the picture book form, which is already a sort of oxymoron. The purity and perfection of THE CARROT SEED just hasn’t been improved on. As a writer who doesn’t illustrate, the seemingly impossible process of generating something for a media where we are ultimately guests of the artists fascinates me. And I heard Ruth Krauss was an interesting person.
Finally, what your favorite picture book as a child or your favorite one to read aloud as an adult?
Because I grew up in Israel the books I read are not known here. But as an adult I would choose Tim and the Blanket Thief by John Prater. Perfect poetic prose to compliment his dream-like water color art. And then there’s the main thing: the theme of overcoming fears, and what fears are made of.
I would like to thank Mirka for being a part of Passion for Picture Books and supporting my writing, illustrating, and photography. Your cultural history and expanded world views bring a depth to our group and how we all approach the art of writing a picture book.
I would like to thank Mirka for being a part of Passion for Picture Books and supporting my writing, illustrating, and photography. Your cultural history and expanded world views bring a depth to our group and how we all approach the art of writing a picture book.
About Mirka
Mirka was born and raised in Jerusalem and now raises her children in California. She writes Middle Grade novels, chapter books, and story picture books. When not writing, driving her kids or cooking and cleaning, Mirka is busy submitting her stories.
Mirka's novel for middle grades, VOICE OF THUNDER, was contracted for publication. Release date from WiDo Publishing will be set soon.
You can find out more at:
Mirka's novel for middle grades, VOICE OF THUNDER, was contracted for publication. Release date from WiDo Publishing will be set soon.
You can find out more at:
8 comments:
Thank you for such gracious hosting, Diane.
A delightful interview! Thanks for sharing, Mirka, and thanks for hosting, Diane. I haven't read Tim and the Blanket Thief you mentioned, Mirka. I'll have to find it the next time I go to the library.
Wonderful to read more about you, Mirka! Thanks Diane and Mirka!
~Tina
Very nicely said, Mirka! I agree that Ruth Krauss is a great choice. I'd like to know more about how you hear the echo of the end of a story. (That interests me because I have so many unfinished stories.)
Thanks so much for telling us a little more about your process.
Very nicely said, Mirka! I agree that Ruth Krauss is a great choice. I'd like to know more about how you hear the echo of the end of a story. (That interests me because I have so many unfinished stories.)
Thanks so much for telling us a little more about your process.
To try to elaborate, Ellen- I think of the first sentence and first paragraph versus the last sentence and last paragraphs as symmetrical book ends. This is why they ‘come from the same place.’ I found this happened in my longer works also. The middle grade, (Voice of Thunder) which will be released this year, has this. I was not even conscious of it when I wrote the first draft. But there it was.
Thank you Tina and Ev for visiting. We know each other's passion for picture books.
I enjoyed that interview very much. Thank you, ladies.
I never thought that the middle of a PB could be so difficult. Of course, I've always thought that PBs are such neat little packages, but can I write one?!!! Hah! I try.
Awesome interview! I'm a longtime fan of Ruth Krauss, too. And I like the thought about the first and last sentences/paragraphs as bookends.
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